In the next few months I'm putting together my reading lists.
The one below is for my cultural studies component which I hope will have an emphasis on audiences, fan cultures and technology/emerging media.

Books and Anthologies
Life on the Screen --Sherry Turkle
Cybersounds-- Michael D. Ayers ON ORDER AMAZON
Cassette Culture-- Peter Manuel ML3502 .I4 M36 1993 1 BOOK MUSICMEDIA
Listening In--Susan Douglas AMAZON
Where the Girls Are-- Susan Douglas P94.5 .W652 U634 1994 STACKS
Susan Smulyan- Selling Radio HE8698 .S6 1994 1 BOOK STACKS
British Cultural Studies-- Graeme Turner DA589.4 .T87 1990 STACKS
Reading the Romance-- Janice Radway Z1039 .W65 R32 1991 STACKS
The audience studies reader--Will Brooker and Deborah Jermyn REQUESTED
Sounding out the city--Michael Bull. REQUESTED
Music In Everyday Life-- Tia Denora ML3795 .D343 2000 MUSICMEDIA
Fan Cultures--Matt Hills, 2002
The Adoring Audience-- Fan Cultures and Popular Media, 1992
Textual Poachers-- Henry Jenkins
Enterprising Women-- Camille Bacon-Smith
Theorizing Fandom: Fans, Subculture and Identity, Cheryl Harris and Alison Alexandar
Cyberspaces of Their Own: Female Fandoms Online-- Rhiannon Bury
Cultural Studies and the Study of Popular Culture: Theories and Methods-- John Storey
Cultural Theory and Popular Culture: An Introduction --John Storey
American Cultural Studies--Catherine A. Warren and Mary Douglas Vavrus
Cult Television -- Sara Gwenllian-Jones and Roberta E. Pearson
Quality Popular Television: Cult TV, the Industry, and Fans by Mark Jancovich and James Lyons
Forms of Talk or Frame Analysis-- Erving Goffman
Desperately Seeking the Audience-- Ien Ang
Breaking Up America: Advertisers and the New Media World-- Joseph Turow


Articles
Media, Culture and Society
Women's Experience of On-Line E-zine publication-- Frances Cresser, Lesley Gunn, Helen Balme

Broadcasting in the 1990s: Competition, Choice and Inequality? -- Valerie Antcliff

Cultural Industires in the Digital Age: Some Provisional Conclusions-- Enrique Bustamante

Empire and Communication: The Media Wars of Marshall McLuhan-- Michael MacDonald

Arenas of Innovation: Understanding New Configurational Potentialities of Communication Technologies-- Harmeet Sawhney and Seungwhan Lee

Television Under Construction-- Jonathan Sterne

From Dr. Dowd's Syllabi

Cotton Seiler. 2000. “The Commodification of Rebellion: Rock Culture and Consumer Capitalism.” Pages 203-223 in New Forms of Consumption: Consumers, Culture, and Commodification, edited by Mark Gottdiener. Lanham, MA: Rowman & Littlefield.

David Halle. 1992. “The Audience for Abstract Art: Class, Culture, and Power.” Pages 131-151 in Cultivating Differences: Symbolic Boundaries and the Making of Inequality, edited by Michèle Lamont and Marcel Fournier. Chicago: University of Chicago Press.

Andrew Leyshon, Peter Webb, Shaun French, Nigel Thrift, and Louise Crew. 2005. “On the Reproduction of the Musical Economy after the Internet.” Media, Culture & Society 27: 177-209.

William T. Bielby and Denise D. Bielby. 2003. "Controlling Primetime: Organizational Concentration and Network Television Programming Strategies." Journal of Broadcasting and Electronic Media 47: 573-596.

Eszter Hargittai. 2000. “Open Portals or Closed Gates? Channeling Content on the World Wide Web.” Poetics 27: 233-253. (This will probably go in my New Media Section w/ Dr. Friedman)

Denise D. Bielby and William T. Bielby. 1996. " Women and Men in Film: Gender Inequality among Writers in a Culture Industry." Gender & Society 10: 248-270.

Catherine E. Kerr. 1990. “Incorporating the Star: The Intersection of Business and Aesthetic Strategies in Early American Film.” Business History Review 64: 383-410.

Allen J. Scott. 2004. “The Other Hollywood: The Organizational and Geographic Bases of Television-Program Production.” Media, Culture & Society 26: 183-205.

Shyon Bauman. 2001. “Intellectualization and Art World Development: Film in the United States.” American Sociological Review 66: 404-426.

Denise D. Bielby and C. Lee Harrington. 2004. “Managing Cultural Matters: Genre, Aesthetic Elements, and the International Market for Exported Television.” Poetics 32: 73-98.

Melissa C. Scardaville. 2005. “Accidental Activists: Fan Activism in the Soap Opera Community.” American Behavioral Scientist 48: 881-901.

William T. Bielby and Denise D. Bielby. 1994. "'All Hits are Flukes': Institutionalized Decision-Making and the Rhetoric of Network Prime-Time Program Development." American Journal of Sociology 99: 1287-1313.

Janice A. Radway. 1992. "Mail-Order Culture and Its Critics: The Book-of-the-Month Club, Commodification and Consumption, and the Problem of Cultural Authority." Pages 512-527 in Cultural Studies, edited by Lawrence Grossberg, Cary Nelson and Paula Treichler. New York: Routledge.

Steven J. Tepper. 2000. “Fiction Reading America: Explaining the Gender Gap.” Poetics 27: 255-275.

Lakshmi Srinivasi. 2002. "The Active Audience: Spectatorship, Social Relations and the Experience of Cinema in India." Media, Culture & Society 24: 155-173.

Sarah Thornton. 1996. Club Cultures: Music, Media and Subcultural Capital. Hanover, NH: Wesleyan University Press. Chapters 1-3.